DC Relaunch: Detective Comics

One of the longest running DC comics is restarting. It's not the only one, ind you, but still. Detective Comics, a new number one. Who thought that would happen? And while it didn't start with him, and hasn't always been just him, it's still running with Batman in the lead. In recent years, DC has done a pretty good job of maintaining themes slightly separate from that of the Batman title and so on. In the past few years, we've seen Paul Dini's done in ones, as well as his more overarching Hush epic, Greg Rucka and JH Williams' masterful Batwoman stories, David Hine's bizarre dealings of Jeremiah Arkham, finally bringing us to Scott Snyder's exploration with Jock and Francavilla of the Gotham as mirrored against a Dick Grayson'd Batman.

Likewise, Detective Comics as written and drawn by Tony Daniel promises to be different from Scott Snyder's Batman, and no doubt will be different from the other two main books. Whereas Snyder promises to explore the ways that Gotham has changed in Bruce Wayne's absence at the primary Batman of Gotham City, Tony Daniel's exploration will be of darker matter altogether. And part of his exploration will directly involve the Joker. As Batman changes through the years depending on the writers, so too does the Joker to reflect that Batman. He can be deadly and psychotic, and he can be playful, annoying, and goofy. He definitely tries to cover any bases that the phrase "evil clown" could possibly garner. The Joker has never made his longstanding relationship easy for Batman, even going so far as to kill one of the Robins.

The Joker's relationship to the Robins is interesting with regards to his relationship with Batman. As his relationship with Bruce Wayne as Batman is directly oppositional, he is different with Dick Grayson as Batman. With Dick, he recognized that he was not his Batman. And rather than be directly antagonistic, he provided support, in his on sort of way. With the Robins, I feel like the Joker often sees them as bait. They aren't who he's fighting, he's fighting Bruce Wayne. The Robins are just part of the whole thing. But Dick made it all fun. It was a joke, it was a dance, it wasn't all grim and serious and deathy. Likewise, Jason Todd as Robin just didn't fit to him. And so he beat him to death with a crowbar. Tim Drake is very much a detective like Bruce. There's something about Tim's demeanor, his defiance of being just a leadup to Batman, and his association with friends that give him another response from the Joker, one of almost admiration and respect, despite him still being, in general, a potential hostage. Damian, I don't think he took seriously at first, and he made a mistake. He underestimated him. His interest in Damian outweighed that of Dick as Batman. I think there's a certain level of fear involved in that too. And that leads into tomorrow, with Batman & Robin.

Tony Daniel leads this along on both scripting and art. The cover indicates to me a new style he's experimenting with that may go hand in hand with the dark story he wishes to tell. Usually, Tony Daniel has very clean lines, and his recent Batman stories allow a certain level of colorfulness to the odd world around Batman. As we saw in his run on Batman with Grant Morrison as writer, the colorfulness can be even more disturbing, depending on the subject matter.

Here's a few of Tony Daniel's work with Batman and an excellent Joker story as well:

The Man Who Laughs by Ed Brubaker & Doug Mahnke
Batman: The Battle for the Cowl by Tony Daniel
Batman: Life After Death by Tony Daniel
Batman: Eye of the Beholder by Tony Daniel

Tomorrow we investiage the Batman & Robin dynamic, and the current Robin, Damien Wayne.